This James A. FitzPatrick's People on Parade series short takes the viewer to Alexandria, Egypt, with emphasis on the modern nature of the city.

The legendary press conference in San Fransisco at KQED studios on Dec. 3rd 1965. This was a pivotal year in Bob Dylan's career. In the early part of the year he released "Bringing It All Back Home", the first album that saw him move distinctly away from his folk music origins. In the summer he followed it with "Highway 61 Revisited", an out and out rock 'n' roll album, and the single "Like A Rolling Stone" hit No.2 on the US charts. His appearance at that year's Newport Folk Festival saw him use an electric guitar on stage, a hugely controversial move at the time that saw him booed by much of the audience. Against this background, Dylan went into the studios of TV station KQED in San Francisco for a broadcast press conference hosted by Ralph J. Gleason, his only one from this era ever to be filmed.

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Some doctors say he won't last another day but still he keeps making films. Sluizer Speaks tells the story of George Sluizer, director of such films as The Vanishing and Dark Blood who fully dedicated his life to cinema. Where did his passion for film lead him?

Joey Diamond gives his advice in different videos about different topics.

A belly dancer causes a scandal with her suggestive dancing at a Worlds Fair exhibition at the turn of the 20th century.

This entry in the TravelTalks series visits the ancient Egypt. starting Valley of the Kings in a remote and desolate part of Egypt, the entrance to tomb of King Tut is shown, though the ts priceless treasure is now in the Cairo museum. A visit to Luxor and the ancient city of Thebes, which date to 1500 BC, follow with subsequent visits to Karnak. The film closes by noting that past and present are in harmony with the water wheel and village well still in wide use in the modern age.

Stas is a miner, not the most hardworking, but very charming. By chance, he ends up buried in a mine along with eco-activist Lena. Then he begins to hear a voice. Voice of the Earth. In her speeches, she speaks for the environment, and threatens that she will drown everyone if they don't listen to her. The problem is that only Stas hears her. And now he will have to very quickly convince the whole world that a) he is not a schizophrenic and b) he urgently needs to stop polluting the Earth, otherwise it will wash everyone away from its face.

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Urban utopia beckons in this idealistic vision of postwar Manchester - fascinating to revisit as Northern Powerhouses and city devolution return to the agenda. Sponsored by the city council, it's very ambitious for a local government film. Under the soaring, sweeping direction of Paul Rotha, it takes in themes of industry, energy, leisure and housing, present, past and future.